Now in production — our first offering
The version they never made. Until now. A story everybody already loves, rebuilt as a franchise — eight surfaces you can own, audition for, and step inside.
Why this story
A man falls for the woman the world has written off, and goes through everything to be with her. It's older than the film — older than Cinderella, which was never an original either. No one owns it. It's been told a hundred ways across a hundred years. This is ours.
The offering
Pretty Woman isn't a remake and it isn't a revival. It's a franchise — built across eight surfaces, each one its own product, each one a way to participate.
A two-act stage production. New arrangements of the songs that defined the era.
The original soundtrack played live, in a venue near you.
Four narrative records. Eighty original songs.
The story narrated through Shakespeare, Poe, and Maya Angelou.
Book and audiobook. The story Vivian Ward never got to tell.
Sex work as work. The long-arc conversation.
Kennedy Strassfield, on her own, in her own film.
The hotel, recreated. Dinner inside the story.
The keystone
Not a remake. Not a revival. A live destination.
An evening where the audience moves through the story, eats inside it, and the cast performs in the rooms around them. The hotel, recreated — dinner served inside the scene.
One destination, simulcast to anywhere we can put a stake in the ground. A seat in the room runs $300; a cyber-ticket runs $50–$75 and still feels like you're there.
For artists
We aren't waiting for industry approval, and we aren't begging artists to show up. You bring a song; we put it in the marketplace. If you're cast, you're on a mixtape, in the musical, on the cast recording.
For owners
You don't blast a track you don't own — you blast the one you have a piece of. Ownership runs through SHARE.stream, with an exclusive window before the record reaches the streaming platforms.
The Math
The model isn't to catch one hit and ride it. It's to build a deep catalog and let it work over time — a steady stream of releases, each with its own audience, each one an anniversary waiting to come back around.
The roll-out
The model is proven. Pretty Woman is simply the first — with Rambo, Goonies, the Godfather, and other beloved stories from American lore to follow, each one rebuilt as a Movie Version and owned by the people who love it.
Looking for
We're always casting for actors, artists (emcees, singers, poets), authors, comedians, instrumentalists, musicians, producers, voice talent, monologuists, choreographers, dancers, costume designers and wardrobing, fashion designers, cosmetologists, and makeup artists.
Casting for three things